There is an age-old saying in the theater that “the second act is the best,” and this is because crisis always reveals the essence of a character. In most scripts, Act I introduces the characters, the protagonist, and the dramatic situation, while Act III reveals the story’s climax and resolution. But it is in Act II when the main character encounters dreadful obstacles and moves into crisis. This is usually the darkest part of the story, where the protagonist reaches his or her lowest point. And this is where the playwright can truly capture the audience — we all can identify with a hero facing terrible odds. Continue reading





